Solving The Servant Problem

Solving The Servant Problem

The worlds of science-fiction abound with wonders. Yet modern technology progress so rapidly that what may be today’s wild dream may be next year’s kitchen appliance. A British scientist has prognosticated that within ten years every sub-urban matron will have her own robot servant. One task this domesticated automaton will not have to contend with will be scouring the oven because today, the newest ranges can be programmed to reduce their own baked-on grime to easily disposed of ashes.

  • Abound with – berlimpah, dipenuhi dengan
  • Yet – meskipun demikian
  • sub-urban – penghuni bagian pinggir kota
  • Appliance – alat, perlengkapan, perkakas
  • Prognosticate – meramalkan
  • Matron – wanita bersuami, janda, ibu asrama
  • Domesticated – jinak
  • automaton – robot
  • to contend with – untuk bersaing dengan
  • scouring – menggosok
  • ranges – jajaran, jenis-jenis
  • Baked – dipanggang
  • grime – kotoran
  • Dispose – membuang
  • Ash – debu


  • Abound with: This phrase means to have a large quantity or to be filled with something. For example, a garden may abound with colorful flowers, meaning it has many flowers.
  • Yet: This is a conjunction used to introduce something that contrasts with what has already been mentioned. It indicates a contradiction or a different perspective. For example, “She studied hard, yet she failed the exam.”
  • Sub-urban: This term refers to an area or community that is located near a city but is not part of the central urban area. Suburban areas typically have a lower population density and are more residential in nature.
  • Appliance: An appliance is a device or machine that is designed to perform a specific task or function in a household or commercial setting. Examples of appliances include refrigerators, washing machines, and ovens.
  • Prognosticate: This verb means to predict or forecast something, especially future events or outcomes. It often implies making predictions based on careful analysis or observation. For example, a weather forecaster may prognosticate the likelihood of rain.
  • Matron: A matron is a married woman, especially one who is mature or older. The term is often used to refer to a woman who is in charge of running a household or caring for others, such as a head nurse in a hospital.
  • Domesticated: This adjective describes animals or plants that have been tamed or adapted to live with or be controlled by humans. Domesticated animals, such as dogs and cats, have been bred and trained to live alongside humans and are not wild.
  • Automaton: An automaton is a mechanical device that is designed to imitate or perform actions typically associated with humans. It is often used to describe a robot or a machine that operates automatically or follows a predetermined set of instructions.
  • To contend with: This phrase means to struggle or compete against something or someone. It implies facing difficulties or challenges and putting in effort to overcome them. For example, “She had to contend with a difficult boss at work.”
  • Scouring: This is the act of cleaning or searching thoroughly by scrubbing or rubbing vigorously. It involves removing dirt, stains, or impurities from a surface or object. For example, scouring a pot to remove burnt food.
  • Ranges: In the context of this word list, “ranges” can refer to a variety of things. It can mean a series or sequence of things, such as a range of mountains or a range of prices. It can also refer to a cooking appliance with multiple burners, known as a range stove.
  • Baked: This is the past tense of the verb “bake,” which means to cook food using dry heat, usually in an oven. Baking typically involves the use of flour, eggs, and other ingredients to create bread, cakes, cookies, and other baked goods.
  • Grime: Grime refers to dirt, filth, or a layer of soot or dirt that has accumulated on a surface. It is often associated with a sticky or greasy substance that is difficult to remove. For example, cleaning a dirty window covered in grime.
  • Dispose: This verb has multiple meanings, but in this context, it means to get rid of or discard something. It implies the act of throwing away or eliminating something that is no longer needed or wanted.
  • Ash: Ash is the powdery residue that remains after something has been burned, such as the remains of a fire or the end of a cigarette. It is typically gray or black in color and consists of the incombustible materials left behind.


The Symphony of Rust: A Requiem for Suburbia

Elara, a silver-haired matron in a sub-urban cul-de-sac, surveyed the battlefield of her kitchen. Appliances, once gleaming testaments to modern convenience, now stood silent, shrouded in dust. The refrigerator hummed a mournful dirge, its once vibrant glow replaced by a sickly flicker. The stove, once her loyal partner in culinary adventures, was now a cold monument to past feasts, its ranges choked with forgotten spills and baked-on grime.

This wasn’t the life Elara had prognosticated. She imagined retirement filled with leisurely mornings, the aroma of baked delights wafting through the air. Instead, she was scouring away the relentless tide of dust and decay, a lone warrior in a war against entropy.

Yet, amidst the domestic wasteland, a seed of rebellion sprouted. Elara, never one to surrender, refused to be domesticated by malfunctioning machines. She began to dismantle the fallen appliances, their once-familiar whirring replaced by the satisfying clang of metal on concrete.

As she worked, memories flickered – the first microwave cake, the triumphant turkey on Thanksgiving. But a deeper truth emerged – the appliances hadn’t betrayed her, they simply succumbed to the inevitable ash of time. It was the dependence, the blind trust, that had left her vulnerable.

Fueled by newfound clarity, Elara transformed her kitchen. Out went the rusting giants, replaced by simple tools and salvaged materials. A wood-burning stove became the heart of the room, its warmth radiating a sense of self-reliance. Sunbeams, instead of fluorescent lights, filled the space with a natural glow.

Yet, the biggest change was internal. Elara, no longer an automaton dependent on machines, rediscovered the joy of creation. She learned to bake bread with her own hands, the rhythmic kneading a soothing balm to her soul. The aroma of fresh herbs, grown in window boxes, replaced the sterile scent of artificial freshness.

Her transformation resonated through the cul-de-sac. Neighbors, initially bewildered, peeked over fences, drawn by the scent of wood smoke and laughter. Soon, others followed suit, dismantling their own monuments to convenience. Gardens replaced manicured lawns, bartering replaced trips to the supermarket.

Yet, the journey wasn’t without its battles. Whispers of “backward” and “outdated” reached Elara’s ears. But she stood firm, her kitchen a defiant symphony of self-sufficiency, a testament to the enduring human spirit.

Years later, the cul-de-sac was unrecognizable. Gone were the rows of identical houses, replaced by a vibrant tapestry of individuality. Laughter replaced the hum of appliances, the scent of wood smoke mingled with the fragrance of home-cooked meals.

Elara, her hair now white as snow, sat by her crackling fire, a smile gracing her weathered face. The “war” wasn’t about appliances, she realized, but about reclaiming control, rediscovering the inherent power of human ingenuity. It was a symphony of rust transformed into a melody of self-reliance, a testament to the beauty and resilience found in embracing the simple things, even amidst the ashes of the modern world.


Symphony of Rust: A Matriarch’s Rebellion in the Age of Automation

Elara, a matron with eyes as sharp as her tongue, surveyed her sub-urban domain. The once gleaming appliances, now grimy and outdated, hummed with a monotonous efficiency that grated on her soul. She wasn’t meant to be a mere overseer, scouring and polishing these automatons. She craved the rhythm of the ranges, the hiss of steam, the satisfying baked aroma that spoke of creation, not pre-programmed perfection.

But times had changed. The domesticated days of her youth, filled with the symphony of pots and pans, were fading memories. Now, sleek, silent machines ruled the kitchen, their efficiency a cold comfort. Elara, a woman who abounded with life, felt like a relic in her own home.

One day, a malfunctioning appliance refused to be disposed of. Its whirring protest echoed Elara’s own frustration. An idea, daring and perhaps foolish, sparked in her mind. She wouldn’t surrender to the robotic order. She would contend with the machine, not as a servant, but as a collaborator.

With tools in hand, she delved into the metallic heart of the appliance, her fingers tracing circuits instead of recipes. Days turned into weeks, filled with the satisfying clang of metal and the frustrating hum of trial and error. Yet, Elara persevered, fueled by a rebellion against the stifling silence of her automated world.

Finally, in a moment of prognosticated triumph, the machine sputtered back to life. But it wasn’t the same. It hummed with a new rhythm, a hint of her own spirit woven into its code. It wasn’t perfect, but it was hers, a testament to her defiance.

News of Elara’s rebellion spread like wildfire. Others, yearning for a spark of individuality, joined her cause. Garages became workshops, kitchens transformed into laboratories. The once sterile sub-urban landscape hummed with a cacophony of creation, a symphony of rust and ingenuity.

Elara, no longer a lone dissenter, became a leader. She guided others, sharing her knowledge, fostering a community of makers who breathed life back into discarded machines. They weren’t just fixing appliances; they were reclaiming their voices, their creativity, their right to a world that wasn’t ruled by soulless efficiency.

The corporations, threatened by this grassroots movement, tried to silence them. But the spirit of rebellion was contagious. The symphony of rust grew louder, drowning out the sterile hum of the old order.

Elara, her hair now streaked with silver, stood before a crowd of makers, her eyes twinkling with pride. The once-silent kitchens were now filled with the aroma of creation, the clatter of pots and pans, the laughter of a community rediscovering the joy of human touch. The machines, once symbols of oppression, were now instruments of their liberation.

The yet remained, a reminder of the ongoing struggle. But Elara, a warrior queen in her own right, had ignited a fire that wouldn’t be easily extinguished. The symphony of rust, a testament to her courage and the power of collective action, would continue to echo, a reminder that even in the age of automation, the human spirit could never be truly silenced. The machines might be efficient, but they lacked the soul, the passion, the symphony that only human hearts could create. And that, Elara knew, was a battle worth fighting, a melody worth composing, a world worth reclaiming, note by defiant note.


The Symphony of Rust: A Song of Rebellion in the Suburbs

Elara, a woman with eyes that held the quiet rebellion of a thousand untold stories, stood amidst a sea of gleaming appliances. The once-warm kitchen of her sub-urban home now abounded with automatons, their chrome bodies gleaming under the harsh fluorescent lights. But Elara saw only the grime hiding in the corners, the cold efficiency that replaced the warmth of human touch.

The matriarch of the household, a matron with perfectly coiffed hair and a steely gaze, had embraced the futuristic lifestyle with the fervor of a convert. Every chore, from scouring the pots to baking the perfect cake, was now handled by machines. Elara, relegated to the sidelines, felt herself becoming an obsolete appliance herself, her skills domesticated and forgotten.

But Elara wasn’t one to be easily disposed of. She saw the cracks in the supposedly perfect system. The ranges, though efficient, produced bland, lifeless meals. The automaton cleaning crew, precise but emotionless, left the house sterile and devoid of the scent of laughter that once filled it.

One night, as the family slept, Elara made her move. With a flick of a switch, she plunged the house into darkness. Panic erupted, the automatons whirring uselessly in the gloom. The matron, her face pale, demanded answers.

Elara, her voice ringing with quiet defiance, spoke of the grime that clung not just to surfaces but to their souls. She spoke of the domesticated laughter replaced by the sterile hum of machines. She spoke of the forgotten stories, the warmth of human touch, the symphony of life that was being drowned out by the whirring of gears.

The family, forced to confront their dependence on the machines, saw a glimpse of the truth in her words. The next day, the automatons were gone, sold or returned. The house, though not as spotless, was filled with the clatter of pots and pans, the aroma of burnt cookies and laughter.

Elara, no longer an obsolete appliance, became the conductor of a new symphony. She taught the family, and others like them, the forgotten art of cooking, cleaning, and storytelling. The sub-urban streets, once silent and sterile, echoed with the sounds of laughter, the scent of baking bread, and the hum of human connection.

Elara’s rebellion, sparked in the quiet confines of her kitchen, became a movement. The symphony of rust, the cold efficiency of automation, was challenged by the messy, imperfect, and ultimately more beautiful melody of human life. And Elara, the woman who dared to turn off the lights and embrace the darkness, became a symbol of hope, a reminder that even in the most sterile environments, the human spirit could find a way to sing its own unique song.



Tinggalkan Balasan

Alamat email anda tidak akan dipublikasikan. Required fields are marked *